Autumn fungi

October, one of my favourite months for photography, with the autumnal carnival of colour preparing it’s annual show.
It is not just the foliage that attracts me to local woodlands at this time of year, there is also the hunt for the varied species of fungi to be be found around fallen trees and among the decaying leaves on the woodlands floor.

Each autumn I keep meaning to educate myself to become more familiar with the names of the various fungi, but today I step into the woodland just as uneducated as the previous year, apart from the knowledge of the elusive fly agaric, that red and white fairy tale toadstool, to me, the holy grail of the fungi kingdom.

Without doubt, my walk here today was one of the most productive in terms of finding my subject matter, the recent rain and mild conditions, a perfect storm for these often strange but beautiful gems of the woodland, perhaps next year will be the year I finally identify each and every one.

50 days of 50mm #30

My last few Saturdays have been early starts, as I have been keen to catch those late spring sunrises around the local coastline of Dawlish and Teignmouth respectively.

Day 30 starts with grey, overcast skies with brighter sunny spells later in the day, so decide that a trip to a local woodland just a few miles away may be an idea, after all, I have not visited this one for a couple of years.

Ashclyst forest is owned and maintained by the National trust, just on the outskirts of the village of Broadclyst in East Devon and a stones throw away from Killerton House.

As with any location on one’s doorstep, I Have not visited Ashclyst as many times as perhaps I should but I am certainly looking forward to exploring the myriad of trails and footpaths that make any woodland and forest so enjoyable.

Even if I were not involved in my current 50mm project, a 50mm lens would be my choice for today’s venue, the wider aperture of a 50mm prime lens is perfect for those out of focus backgrounds in woodland, as well as plenty of scope for those close up shots that have become a part of my photographic repertoire over the years.

There is something very calming about ambling around these forest trails, the pure joy of hearing the birds singing, their melodies undiluted from traffic noise and other man made interruptions.

I take a little time to experiment with some ‘intentional camera movement’ (ICM) shots, as I stand in a clearing, facing a copse of fir trees, a three stop ND filter attached to my lens gives me an exposure time of around two seconds, enough to create some abstract images of the scene before me.

After a number of attempts., I have a couple that I am happy with, it is this type of experimenting that keeps me wanting to get out and trying new (to me) techniques.






With patches of concealed bluebells just waiting to be found, the paths are a riot of late spring colour, with buttercups and celandine offering a vivid contrast to the campion that sways gently in the pleasant May breeze.

Dandelions lie in various states of undress, some with their full Afro of pappus, others semi bald, their party crowns long since stolen away by the breeze.

Even among this spring time palette, traces of the ochres and browns of winter can be found, oases of fallen ferns and fir cones, lying forgotten as last years Christmas toys, yet still beautiful, even in decay.



50 days of 50mm #19

If woodland walks in autumn are a bittersweet reminder of the shorter days and longer nights to come, those same walks in spring are a treasure trove of mother nature’s wonders, as new life slowly emerges from winter’s grip, we can look forward to the annual displays of snowdrops, daffodils and bluebells to add a splash of colour to the landscape.

A recent trip to steps bridge, just on the edge of Dartmoor was the perfect antidote to what felt like months of constant grey skies, as the sun’s rays made their presence known with a little spring time warmth.

The woodland path was a riot of yellow and green, as daffodils paraded their bright yellow bonnets for all to see, while trees began to show the delicate beauty of their early blossom, or the vibrant green of new foliage.

To spend just a couple of hours amongst nature, listening to the wind as it whispers between the trees and the sweet melody of the avian chorus revives the senses and shakes off that feeling of lethargy that winter can bring, as I sit by the riverside listening to the river rush by, I look forward to the months to come and my next trip to Dartmoor.




A trip to Piles Copse

It has been a while since my last blog entry, a busy August has left little spare time to write, however there are a few entries in the offing.

The first of these is a first time trip to Piles Copse, the third and less well known of the ancient oak woodlands of Dartmoor, situated on the banks of the River Erme, a few miles from Cornwood and Ivybridge.

I have visited Wistman’s wood and Black a tor copse before, both of which are breathtakingly beautiful and popular, Piles copse has a less defined footpath so a map is pretty much essential.

Arriving at just before 7am, the sun is making its way into the sky, my first photo of the day is a copse of fir trees silhouetted by the morning light, a truly inspiring start to today’s outing.



Just a few steps into today’s walk and this is my view

With my need for some urgent shutter therapy and the outstanding natural beauty of the landscape, the hike towards Sharp tor takes a while, and upon reaching the tor, the view below is second only to the local equine population atop the hill.

My first photo of this little beauty was from some distance away, but I sat quietly on a rock and she slowly but surely came closer to satisfy her curiosity.
The view from Sharp tor down to Piles Copse

From this vantage point, to the woods below is a steep zigzagging route weaving a path around the dense vegetation, it is clear that this is not a well used path.

The copse itself is owned and managed by the Howard family, who thankfully allow rights of access through the woodland but camping is not allowed with the area being designated site of scientific interest status.

Like Wistman’s wood and Black a tor copse, one could be forgiven for thinking that you had come to middle earth, the lichen and moss coated trees and rocks, and twisted tree limbs looking so beautifully other worldly.


I find my usual photographic fodder of back lit leaves and dappled sunlight through the trees, a spiders web shimmering in the gentle breeze that whispers quietly as it passes by.

The route out of the copse is as hard as the one in, yet for this, I feel a sense of reward, nothing as beautiful as this should be easy to reach, the total distance of just under six miles feels more like ten but I feel privileged to have completed the Dartmoor triumvirate of ancient woodlands.

Out of the mist and into the woods

As the days are getting warmer, the chances of capturing those misty late spring mornings were fading, at least until later in the year or so I thought, however I was to be pleasantly surprised on today’s morning foray.

Fuelled with a good breakfast and the usual two cups of tea, I set out just after six thirty am, to what felt like one of the warmest mornings so far.

Heading towards the River, a drop in temperature was noticeable and there in the distance a blanket of mist lit by the glow of the dawn sun.

I had already decided on a different route this morning, taking a footpath I have only walked a few times over the years.
To get there, I walk past St. David’s train station to the Exe valley road, but only after a little diversion, taking in the old railway shed and some long time dormant freight cars on the railway sidings.

It appears that the mist is not about to give way to the sun’s warmth just yet, so my next stop is to Cowley bridge, another little diversion from my planned route, hoping for a few nice reflections with the waters being so serene.

Cowley bridge

The next part of the walk is along a normally busy main road, the main reason that I decide only rarely to do this walk but this morning is okay, as I walk the mile or so to the footpath entrance.

Just a few minutes walk from the buzz of the main road, I have walked into a place of near silence, a skylark soars above, its distinctive trill, a sure sign that summer days are nearly upon us.

The mist gives the scene an ethereal beauty, it is a time to sit and stare at the wonder of nature, as I find a convenient rock to park myself and take a few sips of water while enjoying the moment.

At some point, I will explore these footpaths further but I am hoping to get some photos of the mist in some woodland, another half mile or so away.

As I reach Stoke woods, the sun is finding its way through the many glades, narrow strips of light dappling the woodland floor.
The smell of wild garlic overpowers the initial sweet smell of pine, and that refreshing coolness of walking in woodland invigorates the senses.



I arrived too late for the misty woodland shots, they will come another day, as it is I have covered around six miles so far today, with another 3 miles to walk home and the enjoyment of seeing my mornings efforts.

Another Dartmoor day

It has been a few weeks since I last visited Dartmoor, yet it feels like months, but today I shall atone for my absence with a visit to a favourite haunt on the moor,Wistmans wood.

For the unfamiliar, Wistmans wood is one of the highest ancient oakwoods in the UK, designated as a site of special scientific interest in 1964, it’s mixture of lichen covered granite boulders and oak trees have been the source of inspiration for writers and artists for generations.

It is thought that the name derives from an old dialect word ‘wisht’ meaning eerie or uncanny, pixie led or haunted.

The weather gods have been kind today, the rain is off duty, it is so good to see clear blue skies and to feel the warmth of the early spring sunshine, as I begin the two miles along the well trodden path towards the woods.

One of the enduring images of Dartmoor are the miles of dry stone walls, standing as a testament to the stone mason’s craftsmanship, my route today is no exception, I stand as I so often do and admire a skill that only a few will ever master.

The sound of traffic from the nearest road is soon lost in the vast openness of the land, overhead a skylark hovers above, its song a pleasure to hear, in my mind, I am hearing Vaughan William’s lark ascending, my favourite classical piece

As I approach the ancient oaks, the skylark’s song is replaced by the familiar tunes of chaffinches as they flit between the branches.

At first sight, the trees would appear to have played some macabre version of twister, as lichen clad branches twist and turn in all directions, it is not hard to see why this woodland has so much folklore attached to it.

I take a few moments just to sit on one of the many boulders under the trees, just listening to the sounds of nature, a welcome interlude these worrying times of late.
I have taken far fewer pictures today than normal, I have simply enjoyed my return to the moor and will always take away more memories than photographs.

Winter woodlands

From an early age, I have always enjoyed the enduring appeal of woodlands.
Where once they were a place to play out childhood fantasies, they are now  a haven of solace and tranquility, a source of pleasure from my walking and photography perspectives.

A walk around the woods at Shaugh Prior, just on the edge of Dartmoor is today’s destination, a place with the added bonus of the River Plym running alongside its banks.

The bronze and amber leaves of autumn have lost their crispness, as they lay discarded, turning slowly to mulch after weeks of rain, most of the trees, now stripped of their foliage, are arboreal skeletons standing bare against the elements.

Yet, amongst this austerity, the woodland still has treasures to show, rust coloured bracken against the lush green lichen coating both rock and trees alike, colour in this minimalist landscape.

Fungus that finds nourishment from a tree, long since felled, a single leaf hangs defiantly alone, just waiting for the next gust of wind to deliver the coup de grace.

I love the majesty of the granite outposts of rock, standing like guardsmen along the path, the sound of the river below, the wooden archways formed by the meeting of tree branches from either side of the path.

As much as I love to capture the essence of the woods throughout the seasons, spring will always remain my favourite, where the cycle of life begins anew, mother nature’s changing of the guard.